Notethat if your clients require 10-bit 4:2:2, you probably should also check if the Canon R6 Mark II is in the list of approved equipment. I don't think it would be. Typically, you'll only find Canon's cinema cameras in such lists. --. Ricky. EOS 5D IV, EF 50mm f/1.2L, EF 135mm f/2L, 600EX-RT (x6), ST-E3-RT.Canon5D Mark III Basic Video Specs. 1,920 x 1,080 (Full HD / 1080p); 1,280 x 720 (720p); or 640 x 480 (VGA) recording. MOV file format, with variable bitrate MPEG-4 AVC/H.264 The5D Mark II has a 38ish Mbps video bitrate for its 1080p30 H.264 .MOV QuickTime video files. The 7D has an even more remarkable spec of about 47ish Mbps for its 1080p30 files. That's a 20-25% improvement in bitrate. Also Canon claims the bitrate for 1080p24 on the 7D is similar, which means potentially a whopping 50% improvement in Canonkickstarted the success of the stills/video hybrid ILC with the introduction of the EOS 5D Mark II in 2008. Since then it appears to have focused most of its video efforts on its Cinema EOS line of professional video cameras. However, as part of its drip-feed of EOS R5 specs, Canon has spelled out a lot more about its video capabilities.
Conclusion The Canon EOS M50 Mark II is a solid option for easily taking stills and video on the go. 4K video quality isn't great, and live streaming limitations are disappointing, but the stills images it churns out are pleasing. The camera is also quite comfortable in the hand, despite its very compact size. Good for.
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